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The Amazing Spider Man 2 Screens

Andrew Garfield for Volaris Magazine (April 2014)

Peeta gently lifts up the morphling and carries her the last few yards to the beach while Finnick and I keep our weapons at the ready. But except for the orange carcasses on the ground, the monkeys are gone. Peeta lays the morphling on the sand. I cut away the material over her chest, revealing the four deep puncture wounds. Blood slowly trickles from them, making them look far less deadly than they are. The real damage is inside. By the position of the openings, I feel certain the beast ruptured something vital, a lung, maybe even her heart.

She lies on the sand, gasping like a fish out of water. Sagging skin, sickly green, her ribs as prominent as a child’s dead of starvation. Surely she could afford food, but turned to the morphling just as Haymitch turned to drink, I guess. Everything about her speaks of waste—her body, her life, the vacant look in her eyes. I hold one of her twitching hands, unclear whether it moves from the poison that affected our nerves, the shock of the attack, or withdrawal from the drug that was her sustenance. There is nothing we can do. Nothing but stay with her while she dies.

Eleventh’s face when he is about to meet River.
- Just a moment. Final checks.
- Since when?

sarah-pete-designs:

the beginning of my end // theo james edits
 ➥Aleksandar Tomovic shoot

Divergent: book quotes → movie scenes

For a few minutes we kiss, deep in the chasm, with the roar of water all around us. And when we rise, hand in hand, I realize that if we had both chosen differently, we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.

So that’s who Finnick loves, I think. 

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